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1993​-​1999

by mud ensemble

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1.
The Hermit 06:53
THE HERMIT AT OUTERMOST HOUSE Sky and sea, horizon-hinged Tablets of blank blue, couldnt, clapped shut, flatten this man out. The great gods, Stone-Head, Claw-Foot, Winded by much rock-bumping And claw-threat realized that. For what, then, had they endured Dourly the long hots and colds, Those old despots, if he sat Laugh-shaken on his doorsill, Backbone unbendable as Timbers of his upright hut? Hard gods where there, nothing else. Still he thumbed out something else. Thumbed no stony, horny pot, But a certain meaning green. He withstood them, that hermit. Rock-face, crab-claw verged on green. Gulls mulled in the greenest light. Sylvia Plath
2.
EYELESS IN A SPAZA Speaking with the voice of the voiceless Walking with the feet of the legless Touching with the hands of the armless Looking through the eyes of the eyesless Eyesless in a Spaza Ears mouth teeth eyes wide, ready lets go Shes driving him hard shes planning to get him all the way there Her Greyhound she loves him so shes getting inside him shes touching his blood shes breathing his breath shes driving him hard. Looking through the Eyes of the Eyeless touching with the Arms of the Armless Shes creeping inside Shes touching his blood shes thinking his thoughts Shes tasting his drool Seeing with his eyes Seeing with his smell Shes driving him hard shes gonna get him all the way there Shes got a Greyhound, She knows him so well His eyes His ears His smell he is her Greyhound and so on and so forth... Juliana Venter / Marcel Van Heerden
3.
Snorkel 04:10
SNORKEL met n saxofoon soos n snorkel duik die paddaman in die seance n seeraaf duik n seeperd uit die water n seevark wei tussen seekomkommer n seenimf wag met seebene vir seduksie tussen perels en seesterre n seekoei herkou aan seewier n seekat staan met n vis in die bek n seenimf le tussen seesterre en perels n paddaman met n saxofoon duik af en af in die seance n seepbel is voor die neus van n seeskilpad beelde verdof in strome borreltjies Johan Van Wyk
4.
Tiger 03:57
THE TYGER Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearfull symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art. Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? and what dread feet? What the hammer?what the chain? In what furnace was thy brain? What the anvil?what dread grasp Dare ist deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the Lamb make thee? Tyger !Tyger! burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearfull symmetry? William Blake
5.
Rifrughond 02:47
RIFRUGHOND my ingewandekoors sien hoe jy jou inklimgordel uitklim soos n rekruut uit n renmotor ek is n rifrughond in n orkaan in n inham ek ruik aan die roeskleur visse en ritteltit van die koue aan jou robuuste soos n ruimteman aan n slang Johan Van Wyk
6.
Mr Richman 03:02
MR RICHMAN you let me work but you keep the bread oh mr richman you dont know hard times you pass me wine no way in this cage im hooked;gods my witness i better die- wallow in wine and blood meneer i tried myself i cannot kill meneer i hate now, my hate is blind now im going to love- like hell im gunna luv yu ill use youre tools: ill drink the wine but only after the bread- gods my witness in flesh and blood Wopko Jensma
7.
STARS IN THE CEMENT IN MEMORIE OF NIEL GOEDHALS Jump jump why dont you you can step onto that thin white air flutter by do or dddd die into dark cement but to die oh doctor is the last thing i should do to take the blue lift to that narrow ledge to see the stars in the cement But you, you went there you where laughing while you burnt you took the steps to that final ledge to see the stars in the cement Jump jump why dont you you can step onto that thin white air flutter by do wa dididi die into dark cement But to die, oh doctor is the last thing i shall do to take the steps untill a final ledge to write my name in wet cement Marcel Van Heerden
8.
The Bat 05:46
THE BAT Lo! the Bat with the leathern wing, Winking and blinking, Winking and blinking, Winking and blinking, Like Dr Johnson. O ho! said Dr. Johnson To Scipio Africanus, A ha! to Dr. Johnson Said Scipio Africanus, if you dont own me a philosopher ill kick youre Roman anus O ha! said Dr Johnson to Scippio Africanus lift up my Roman petticoat and kiss my Roman anus Oh oh oh oh Oh my poor sides i should die if i was live here oh oh oh farasobora farasobora ah ah ah farasobora this frog he would a wooing ride kitty alone kitty alone this frog he would a wooing ride sing cock i carry kitty alone kitty alone and i low the bat with the leathern wing Winking and blinking Winking and blinking Winking and blinking Like Dr Johnson oh oh oh oh oh my poor sides iii should die if i was to live here oh oh oh farasobora farasobora farasobora as i walked forth one may morning to see the fields so pleasant and so gay oh there did i find a young maiden so sweet among the violets that smell so sweet oh so sweet hang youre violets heres some rum and water Lo! the Bat with the leathern wing Winking and blinking Winking and blinking Winking and blinking like Dr Johnson William Blake excerpts.
9.
Boerekraut 07:41
BOEREKRAUT Get up dont wait the worlds a dream ill walk with you ill be youre feet ill be youre sun, youre moon The worlds a cup of water. The tree bursts of hollow laughter into the world of mindfullness you shimmer me, i reach out the light burns me aha ha I can go under to rest and wait for you to grow Youre head in the clouds O come its getting late too late for running water, too late for running water too late for nubile growth too late for burning high get up dont wait, The worlds a dream ill walk with you ill be youre feet ill be youre sun youre moon Juliana Venter
10.
Polly's tree 03:53
POLLY'S TREE A dream tree, Polly's tree: a thicket of sticks, each speckled twig ending in a thin-paned leaf unlike any other on it or in a ghost flower flat as paper and of a colour vaporish as frost-breath, more finical than any sik fan the Chinese ladies use to stir robin's egg air. The silver - haired seed of the milkweed comes to roost there, frail as the halo rayed round a candle flame, a will-o'-the-wisp nimbus,or puff of cloud stuff, tipping her queer candelabrum. Palely lit by snuff-ruffed dandelions, white daisy wheels and a tiger-faced pansy, it glows.O it's no family tree, Polly's tree, nor a tree of heavan, though it marry quartz-flake, feather and rose. It sprang from her pillow whole as a cobweb, ribbed like a hand, a dream tree.Polly's tree waers a valentine arc of tear-pearled bleeding hearts on ist sleeve and, crowning it, one blue larkspur star. Sylvia Plath
11.
Can Temba 04:04
CAN TEMBA In Sophia town Can Temba climbs the steps or what is left of them he opens the door of a house full onto the sky and stands gaping over the edge For this was the place the world ended Then he locked up carefully lest someone steal then he went back downstairs and settled himself to wait to wait for the house to rise again for his peoples legs and arms to be stuck back in place In the morning they found him Cold as stone sparrows pecking his eyes In the morning they found him cold as stone sparows pecking his eyes Wopko Jensma
12.
When youre soft flesh and bone fists Finally gone blue beating marble walls Why,those walls just vanished Oh yes,jose afonso,what now? What now,as the soldiers breed roses Roses in their bent gun barrels The cage that kept the dove behind bars Those bars have shaken out my guts Yes jose,drive those brass tacks home In these subterranean rooms My entrails under paper weights I keep singing this song Of one thousand unmade beds Of one thousand dust bins Of one thousand dark alleys Of one thousand chicken livers (neatly tied in plastic packs) as i turn stones on my life grab scorpions sleight of hand unwind untie the poison sting let the past slip down my gullet i wrote no lines since i saw you last in fact i have nothing more to say the sky is blue the leaves are green i take what come i give with caution the yacht ride at anchor in the bay next month and autumn cooler waether i pay off my past debt by instalments wopko jensma

about

THE LEGENDARY MUD ENSEMBLE AT LAST BRINGS OUT THAT LONG AWAITED CD.

The album is a compilation of selected songs between 1993 and 1999.

Anyone that went to their concerts in the 90s know that every concert was a viceral experience for itself. Every live show was an event.

Theire filmic sensibility on stage ,and use of performance art, ritual, voodoo and alchemy made them one of the most important art /music movements of its kind in the 90s in south africa.
Even though apartheid had finally come to an end ,we where all still full of the scars of that time.There wasnt a person in Yeoville ,Kensington,Hillbrow or Troyville or Soweto that hadnt seen it all .

Their legendary concerts at Bobs bar or The Fig gallery are still to this day ingrained on our consciousness.

Never will the rest of the world know or understand how we lived, even though they arrogantly claim too. Today a few of us still remain to tell the tail of Johburg, no Hollywood production will ever be able to catch it on film. The Mud Ensemble helped us reflect our heritage face our own downfalls and also see the beauty inherent in the grimey streets of Jozi.


MUD PERSONNEL

Juliana Venter
Marcel Van Heerden
Kenny Marschall
Libbie Du Toit
Manya Gittel
Nic Hauser
Thomas Barry
Graeme Feltham

HELPERS

Konrad Welz
Alex Mavro
Christo Boshoff
Kevin Montanari

credits

released April 1, 2011

Mastering by Joseph Suchy (Berlin)
Released by Amatafula Tonträger
Cover design by Gerald Weitenhagen/
www.sleevegum.com

All rights reserved.

Amatafula 001
LC4908

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mud ensemble Berlin, Germany

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